A site dedicated to posting out of print, or long forgotten music (mostly punk/hardcore).
I don't intend to infringe anyone's copyright, I just want to share the excitement I had many years ago discovering this music.
If any artist objects to a post please inform me and I'll remove it straight away.
Tuesday, 25 December 2012
Been really busy lately.....posting will resume soon (ish).
DO NOT be put off by the silly name...this is a classic punk album.
Formed in May 1977 in Brighton Joe Cool & the Killers released 1 7'' and this album and both are fucking great; the 7'' went for a small fortune a few years back, probably rightly so tbh. If you like the old UK 77 punk, or high energy punk, then is a must for you. It's truely great.
They were picked up by the same guy who spotted, and took to fame, Leo Sayer. That fact alone would be enough to put anyone off, and once you throw in the name most people would put their trainers on and start running for the hills. What a mistake that would be.
They lasted until late '78 and split up. I have no idea what happened to any of the band with the exception of Tony Mayberry who joined The Depressions.
Now here's a band that I wish had continued to produce more as this is such a great 7''.
I have no clue as to how they formed, but I'm thankful they did and left this gem behind in their wake. A band who comprised the following personnel: -
John (Stabb) Schroeder - Vocals
Rob Frankel - Guitar
Steve Hansgen - Bass
Danny Ingram - Drums
This long out of print 7'' was released on Tragic Life records in 1993.
The sound isn't too dissimilar to latter day Government Issue, so you know it has to be good. I've rambled on about the members of this band at various times before and they should be pretty well known to most fans of hardcore. A, possibly, little known fact is that Steve Hansgen joined Boyd Farrell and Mike Dolfi. both ex Black Market Baby, in Rustbuckit a while ago.... a band who's record is soooooooooo song overdue that I've almost worn out my demo copy!!!!
I have a live set of Emmapeel somewhere....I'll upload it one day.
No download...just pointing out that this is a good album released last year. A cool mix of punk, dub and alternative. Listen to the album at the bottom...or buy it... only 7 bucks!
What a lovely way to start a miserable wet and rainy Saturday morning. I check my various e-mail accounts and in the one for this blog I find a link to a band called Dot Dash who grab my attention with the header of "dc band". I click a link and I'm immediately hit by the power of the drumming, the opening track is instantly impressive and hooks me straight in.
Reading further through the e-mail Dot Dash have a real heritage and consist of: -
Terry Banks - Vocals/Guitar (Glo-Worm, The Saturday People, Tree Fort Angst, Julie Ocean)
Bill Crandall - Guitar (Modest Proposal, Adam West)
Hunter Bennett - Bass (Weatherhead, Julie Ocean)
Danny Ingram - Drums (Youth Brigade (dc), Social Suicide, Madhouse, Emmapeel, Strange Boutique, Swervedriver and a few more that I can't think of)
So Danny explains the powerful drumming and with Terry, Hunter and Bill it explains the hook laden songs.
Dot Dash are a very accomplished powerpop/punk pop band, and this album speeds past you at a million miles an hour, not due to it's velocity, but due to the seamless sequence of flawless songs that take you on the musical equivalent of the perfect speed date.
The album starts with Faraway, full of atmosphere, Byrds like guitars and Buzzcocks trade mark "ooohs and ahhhs" and slips into track two, Countdown, equally hook laden and captivating. Before you realise it they've spun your head though a plethora of perfect pop songs and the album is finishing with The Devil's Road. All the intervening songs flow effortlessly into each other and are beautifully constructed with a clear/sharp production. This is a refreshingly uplifting album that I know will sit with me for years to come.
Thanks to the Bandcamp website you can hear the album here. You can also buy the album, for as little as, $7, which is a pittence for such a stunning piece of work.
I've had a Crass logo on this site/blog for ages , but I've never posted anything by them...time to change that.
I remember this time so clearly as I'd popped into town and into Volume records (home of the Toy Dolls) to see what new releases they'd had in. I spoke to the regular shop assistants and one of them alerted me to a flexi-disc they'd received. The flexi had been used to pack records that were shipped to the shop. Some were in perfect condition, others were ruined and bent. He said he thought it might be Crass; I asked him to throw one on the turntable and, sure enough, it was clearly Crass.
I asked for one, and he passed me a hand full of them. I loved this flexi, as I did early Crass. However they always presented me wtih an real dichotomy; on the one hand I adored their early work and they helped open my mind, yet on the other hand I kinda blamed them for the rapid downfall of UK punk, unfairly. 83/84 were strange times in the UK as many people were moving over to the peace/anarchist ethic espoused by Crass and were ditching leather jackets and DM's for canvas.
Even more strangely at the time of this flexi release I recall one person in particular wearing a Fuck Argentina t-shirt as they'd invaded the falklands....6 months later he was a peace loving anarchist who, when you spoke to him, would recite Crass rhetoric almost verbatim, conveniently he forgot about the T-shirt. This kind of assimilation into a Crassite mindset would narrow punk so badly that invention died and with it punk......for a few years.
The first two Crass albums and all of their 7'', except merry Crassmas, were borderline genius in my book; feeding the 5000 is such a great record. This 7'' is one of my favorite Crass 7'', only being beaten by Big A Little A and Bloody Revolutions which is simply astounding...still!!!!
Crass were far more than the overly political group they're portrayed to be these days...I recall a time when they were a hugely important, and influential, punk band.
You talk about your revolution, well, that's fine But what are you going to be doing come the time? Are you going to be the big man with the tommy-gun? Will you talk of freedom when the blood begins to run? Well, freedom has no value if violence is the price Don't want your revolution, I want anarchy and peace You talk of overthrowing power with violence as your tool You speak of liberation and when the people rule Well ain't it people rule right now, what difference would there be? Just another set of bigots with their rifle-sights on me But what about those people who don't want your new restrictions? Those that disagree with you and have their own convictions? You say they've got it wrong because they don't agree with you So when the revolution comes you'll have to run them through You say that revolution will bring freedom for us all Well freedom just ain't freedom when your back's against the wall You talk of overthrowing power with violence as your tool You speak of liberation and when the people rule Well ain't it people rule right now, what difference would there be? Just another set of bigots with their rifle-sights on me Will you indoctrinate the masses to serve your new regime? And simply do away with those whose views are too extreme? Transportation details could be left to British rail Where Zyklon B succeeded, North Sea Gas will fail It's just the same old story of man destroying man We've got to look for other answers to the problems of this land You talk of overthrowing power with violence as your tool You speak of liberation and when the people rule Well ain't it people rule right now, what difference would there be? Just another set of bigots with their rifle-sights on me Vive la revolution, people of the world unite Stand up men of courage, it's your job to fight It all seems very easy, this revolution game But when you start to really play things won't be quite the same Your intellectual theories on how it's going to be Don't seem to take into account the true reality Cos the truth of what you're saying, as you sit there sipping beer Is pain and death and suffering, but of course you wouldn't care You're far too much of a man for that, if Mao did it so can you What's the freedom of us all against the suffering of the few? That's the kind of self-deception that killed ten million jews Just the same false logic that all power-mongers use So don't think you can fool me with your political tricks Political right, political left, you can keep your politics Government is government and all government is force Left or right, right or left, it takes the same old course Oppression and restriction, regulation, rule and law The seizure of that power is all your revolution's for You romanticise your heroes, quote from Marx and Mao Well their ideas of freedom are just oppression now Nothing changed for all the death, that their ideas created It's just the same fascistic games, but the rules aren't clearly stated Nothing's really different cos all government's the same They can call it freedom, but slavery is the game Nothing changed for all the death, that their ideas created It's just the same fascistic games, but the rules aren't clearly stated Nothing's really different cos all government's the same They can call it freedom, but slavery is the game There's nothing that you offer but a dream of last years hero The truth of revolution, brother................... is year zero.
I don't intend this to be a long term thing. I just want to ramble on about a few bands as I do to the guys at work who have no music tastes. I can then point them here and say..."educate yourself".
After all music should be more than Michael Jackson (RIP), Lady Gaga and a never ending production line of boy and girl bands. I recall a time when music was dangerous and exciting.
It would appear they really did turn rebellion into money.
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